rosa ponselle biography

(Rosa later denied that Thorner had ever given her voice lessons, but her statements on the subject are contradictory.) At the second performance, Ponselle had to encore the aria, "O nume tutelar". By then, Carmela was already an established singer in vaudeville after her debut in The Girl from Brighton, a 1912 Broadway musical. … There is a particularly moving and very freely rendered performance of the aria "Senza Mamma" from Suor Angelica. Cuenta y Listas Cuenta Devoluciones y Pedidos. [citation needed], Ponselle sang often on the radio in the early 30s, and she generally had her broadcasts recorded on 78 rpm Acetate discs. All her Columbia discs were acoustical recordings. Biography by Richard LeSueur. Wait Till You Hear Her! Buy Rosa Ponselle: A Centenary Biography by Drake, James A. online on Amazon.ae at best prices. "[2] Hughes quotes Harold C. Schonberg who wrote in 1972, "That big, pure colorful golden voice would rise effortlessly, hitting the stunned listener in the face, rolling over the body, sliding down the shoulder-blades, making one wiggle with sheer physiological pleasure."[2]. As a teenager, she teamed with her sister Carmela to form a vaudeville act which included classical as well as popular songs. Ponselle continued in the 1930s to add roles to her repertoire at the Metropolitan Opera. Rosa Ponselle: A Centenary Biography (Amadeus) Drake, James A. ), American coloratura soprano of great breadth of range and expressive ability, who is probably best known for her performance in the title role of Vincenzo Bellini’s Norma. PHOTOGRAPH de Ponselle, Rosa et d'autres livres, articles d'art et de collection similaires disponibles sur AbeBooks.fr. Son répertoire s'enrichit avec Cavalleria rusticana de Mascagni, Andrea Chénier d'Umberto Giordano, La Gioconda d'Amilcare Ponchielli, L'Amore dei tre re de Montemezzi et La Vestale de Gaspare Spontini représenté au Mai Musical Florentin en 1933. Among her electrical Victor records, Ponselle's most admired titles include "Pace, pace mio Dio", "Suicidio! Although she never again appeared on the concert or opera stage, Ponselle continued to sing at home for friends, who reported that her voice was as magnificent as ever. Rosa Melba Ponzillo, dite Rosa Ponselle, née le 22 janvier 1897 à Meriden (Connecticut) et morte le 25 mai 1981 à Baltimore (Maryland), est une soprano américaine d'origine italienne. Read Rosa Ponselle: A Centenary Biography (Amadeus) book reviews & author details and more at Amazon.in. 9) by James A. Drake. Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. Rosa Ponselle, original name Rosa Melba Ponzillo, (born Jan. 22, 1897, Meriden, Conn., U.S.—died May 25, 1981, Baltimore, Md. There are five complete opera performances from the Metropolitan Opera radio broadcasts: Don Giovanni (1934), La traviata (1935), and three performances of Carmen (28 March 1936 Boston, 9 January 1937 New York and 17 April 1937 Cleveland). She was a natural-born singer and launched a career first in Vaudville, where she was working in 1918, when Enrico Caruso discovered her and persuaded her to join the Metropolitan Opera. Caruso was usually wary when asked to listen to amateur singers, but was deeply impressed with Rosa's voice. For the next two decades, her voice of unparalleled beauty and power continued to mesmerize audiences. In 1930 she sang her first New York appearances in 1931 as Violetta, a role she had sung with such success in London, received a more mixed reception from the New York critics, some of whom found her interpretation too forceful and dramatic. Albums include Prima Voce: Divas - 1906-1935, Songs and Operettas (1918-1939), and Ponselle - Prima Voce [with Giovanni Martinelli, Ezio Pinza, Marion Telva]. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th Century. Au début de l'année 1918, elle rencontre fortuitement Caruso qui, impressionné par sa voix, la présente à Gatti-Casazza, le directeur du Metropolitan Opera (Met) qui l'engage à l'essai pour une saison dans le rôle de Léonore pour la première de La forza del destino de Verdi en lui disant : « C'est la première fois que j'engage une artiste américaine sans qu'elle ait fait au préalable ses preuves en Europe, si vous réussissez, vous ouvrirez les portes à d'autres chanteurs américains. Son père est boulanger et ne s'intéresse pas particulièrement à la musique. Please release the FIRST biography ! En 1936, elle essuie un refus des directeurs du Met, pour monter Adrienne Lecouvreur de Francesco Cilea. Henderson complained of her "assaults" on the vocal line.) Over her career, she made 166 commercial recordings (not including alternate takes), either in the studio or at Villa Pace. Up until that time, her career had been concentrated entirely in America. Albums include Ponselle - Prima Voce [with Giovanni Martinelli, Ezio Pinza, Marion Telva], Songs and Operettas (1918-1939), and Prima Voce: Divas - 1906-1935. Free delivery on qualified orders. Ponselle later said that she never missed performing after she retired. Shortly before her Metropolitan Opera debut in 1918, Ponselle signed a 5-year contract with the Columbia Graphophone Company. Cette même année, elle épouse le fils du maire de Baltimore, C. Jackson. She was universally lauded for opulence of tone, evenness of scale, breadth of range, perfection of technique and communicative warmth. This specific ISBN edition is currently not available. In addition to Leonora, Ponselle's roles in the 1918/19 season included Santuzza in Cavalleria rusticana, Rezia in Weber's Oberon, and Carmelita in the (unsuccessful) world premiere of Joseph Carl Breil's The Legend. ", "Casta diva", and the two arias from La vestale. At the time, Carmela was studying in New York with a well-connected voice teacher/agent named William Thorner. Elle ne chante qu'une seule fois avec sa sœur Rosa dans La Gioconda d'Amilcare Ponchielli. Finally, there are private recordings made at the Villa Pace of Ponselle singing various songs and arias accompanying herself on the piano, some of which are items she never recorded elsewhere. These are supplemented by live recordings from the 1930s, which include three complete operas and numerous songs and arias from her appearances on radio. Retrouvez [(Rosa Ponselle: A Centenary Biography )] [Author: James A. Drake] [Mar-2003] et des millions de livres en stock sur Amazon.fr. Life by Rosa Ponselle ( January 22, 1897 – May 25, ). Act with her sister Carmela ’ s piano playing and singing: Music profile for Rosa Ponselle,,! 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