Harry Geduld (Bloomington : Indiana University Press, 1967), pp. 2 Francis Koval interview with Orson Welles, in Film Makers on Film Making, ed. Pop Culture 101 - CITIZEN KANE When Pauline Kael annotated the similarities between Citizen Kane and Mad Love (1935) in a 1971 New Yorker article on the Welles classic, curious moviegoers made a point to seek out the Peter Lorre horror film. Herewith, another view. Citizen Kane is still the number one film of all time on many a critic's list. She was by now reviewing half the year at The New Yorker; feeling for her during her hiatus, her editor (who was paying her too little), William Shawn, assigned her a long piece on the scholarship emerging around the authorship of the Citizen Kane script. Toronto Star via Getty Images . The Scripts of Citizen Kane Robert L. Carringer The best-known controversy in film criticism of recent years has been over the authorship of the Citizen Kane script. Pauline Kael Pauline points out that its a whole lot of people who make a movie great and not one person. Retrouvez Raising Kane et des millions de livres en stock sur Amazon.fr. The same cannot be said for Kael’s subsequent takedown of Citizen Kane and Welles. Pauline Kael (1971; rpt. Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. 1 Pauline Kael, "Raising Kane," in The Citizen Kane Book, ed. - Livres Passer au contenu principal Pauline Kael and John Houseman say no. Pauline Kael wrote her controversial ‘Raising Kane’ two-part piece in 1971 and you also wrote a rebuttal that year to her piece. In her famous two-part 1971 article Raising Kane, American film critic Pauline Kael rants against Orson Welles’ outright authorship in Citizen Kane, the tip of the canon of film history. CineFiles is a free online database of film documentation and ephemera Among the other sources Bogdanovich spoke with was a U.C.L.A. David Fincher’s new movie, Mank, is about many things, but it all started with an article written by legendary film critic Pauline Kael in The New Yorker in early 1971. Because even once you accept that Orson Welles did deserve the co-screenplay credit for “ RAISING KANE REVISITED: Herman Mankiewicz, Pauline Kael, and the Battle Over “Citizen Kane.”The New Yorker walks back some of their own critic’s 1970s-era revisionism:. Pauline also points out that Welles was also working on other films and not paying as much attention as he should have to Citizen Kane. All these years later, why does the film endure? Film critic Pauline Kael on August 9, 1973. Pauline Kael (/ k eɪ l /; 19. jun 1919 – 3. septembar 2001) bila je američka filmska kritičarka, najpoznatija po recenzijama koje je pisala za ugledni časopis The New Yorker od 1968. do 1991. godine, i koje su joj donijele reputaciju najuticajnije kritičarke u historiji filma. Retrouvez "Citizen Kane" Book et des millions de livres en stock sur Amazon.fr. Kael’s inaccurate and unfair account was actually an attempt to rebut auteur theory critics by arguing that Citizen Kane was not the product of one man’s singular genius and vision, but rather an example of the studio system at its best. Achetez neuf ou d'occasion Amazon.fr - Raising Kane - Kael, Pauline - Livres Passer au contenu principal Film critic Pauline Kael wrote about him and the creation of Citizen Kane in "Raising Kane", her 1971 New Yorker article. 259-60. Pauline Kael, in her controversial two-part New Yorker essay on the film, observed that “Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened.” OK, Citizen Kane is a great movie, but does Orson Welles deserve all the credit? The bold essay was published in back-to-back issues of the New Yorker. It may seem even fresher. Pauline Kael on IMDb: Movies, Tv, Celebrities, and more... Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys STARmeter Awards San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events Toronto: Bantam Books, 1974), p. 4. I agree with Pauline that others should have gotten more credit on the film and not just Welles, but also feel that Welles did a great job in this film. Welles' deployment of certain visual elements (whether intended or not) from Mad Love cannot be denied, from the makeup to the use of a white cockatoo. M uch of what Pauline Kael had to say in ‘Raising Kane’ (1971), her long article in the New Yorker, got lost in the controversy it created.One of her aims was to draw attention to Herman Mankiewicz’s role in writing the screenplay for Citizen Kane (1941), and therefore in the success of the film. https://www.amazon.com/Raising-Kane-Pauline-Kael/dp/071453014X Welles was typically on television during these days trying to raise money for The Other Side of the Wind. Her research was easily disproved by filmmaker Peter Bogdanovich and the critic, her great opponent, Andrew Sarris. The Citizen Kane Book: Raising Kane and The Shooting Script Hardcover – January 1, 1971 by Pauline Kael (Author), Herman J. Mankiewicz (Author), Orson Welles (Author) & … Achetez neuf ou d'occasion Amazon.fr - "Citizen Kane" Book - Kael, Pauline, etc. Pauline Kael got messed up. Pauline Kael first raised the issue in a flamboyant piece in The New Yorker in 1971. 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